April 24, 2012

'NSex Opening Night

At long last, here are photos from 
the collaborative art and science show I helped with earlier this year.


Next Wednesday we will be attending a reception at the Arizona Science Center
 to celebrate the first annual Arizona Science and Technology Festival!


All pieces were hand-formed with paperclay, underglaze, and low-fire clear glaze. After firing, they were carefully mounted and hung onto a scaffold we build from salvaged desert wood.
























(one of the informational blurbs we mounted on stands and placed around the sculpture)


The artist-scientist-sculptors:

 Left to right: Joshua Gibson, Kimberly Shaffer, Morgan MacCallum, David Bradley, Brett Seymoure (top), Lisa Taylor (bottom), and Peter Marting


April 21, 2012

Silverwork. 2


Rings, sterling silver, 2012.
Clockwise from top left:

1. Saint-ExupĂ©ry inspired
2. Mobius
3. Hammered
4. Lost wax cast

Excuse the dry hands, I've been pulling weeds and gardening in the heat a whole lot recently!

Silverwork. 1


Hand-formed and pierced ring, sterling silver. 2012.

Simple.


Sterling silver, gold hexagonal finding. 2012.

April 08, 2012

This one's from earlier in the spring -- I like the contours of the abdomen and wings!




Pen, 4x5"

April 02, 2012

Experiments in Jewelry: Part 1

I've decided to try out jewelry-making this year and am loving it!

 It encompasses so many things I like about art -- complete creative freedom and learning new, exciting processes. This year I've taken several classes and learned acid-etching, lost-wax casting, piercing, and a tiny bit of enameling.

 The chemistry and physics (acid and fire!) and preciseness of it all, as well as the potential for lovely handmade gifts, have me hooked.

To make sure I have the basics of assembly down, I've been making necklaces for family and friends. I can definitely use as much practice as possible with wire-wrapping, coordinating colors, attaching clasps and spacers and clamps. 

Here's one necklace made for a cousin, using glass beads, vintage wood beads, and brass:


I'm really looking forward to using my own images in jewelry, though. Remember the paper cut-out of the rabbit I did in January? (it's below)


The original is large -- about 10 inches long -- and very delicate. It's been tucked away into a drawer where the battering of life can't reach it.

But I can still enjoy the image! After a bit of digital updating to shrink it down to a 1-inch square then acid-etching it into copper, I now have a rabbit pendant.



It should last for ages without breaking!

In the months to come, I'll be experimenting much more with acid-etching, more elaborate piercing and enameling, and forming pieces into three dimensions by hammering, soldering, and bending.

I'll have to strike a balance between starry-eyed wonder at all the possibilities, and the elbow grease and band-aids inevitably involved when sanding, sawing, and filing.. 

For the bug-lovers: I'm still working on ant research on the side, and plan to use plenty of insect images in my jewelry work, too!

A cidada pendant, for good measure:


Until later,

Kim

(And a song for the send-off: the Canadian band Little Scream has a lovely piece titled "Heron and the Fox" here: http://www.myspace.com/officiallittlescream)